Science Visualisation and augmented cinematography
ANIMATION AND CGI
Heavy emphasis on procedural workflows
PHYSICS AND SIMULATION
Creating the sense of weight through heavy computation
DIGITAL ASSET DEVELOPMENT
Integrating assets into your 3d pipeline
SCIENCE VISUALISATION
Helping your story to be straight to the point and stylish
AUGMENTED CINEMATOGRAPHY
Enhancing storytelling through VFX and AI, and cutting production costs
AI TRAINING
Logistics of training and developing AI-based solutions
SPECIALISED CINEMATOGRAPHY
Microscopy, wide spectrum, focus stacking
PRODUCTION SUPPORT
Solving complex image-making and storytelling problems
MANAGING COMPUTATION-HEAVY TASKS
Management of computation-intensive tasks and provision of access & logistics to the hardware and software infrastructure.
CREATURE WORK SPECIALTY
RIGGING - BODY DYNAMICS - PHYISCS-BASED ANIMATION
Creatures only come to life through carefully crafted motion. Physics-driven rigs work very differentl than those in a traditional animation pipeline.
EXPERTISE IN BIOLOGY AND ANATOMY
Following biological function in design to ensure that the look "makes sense" on an intuitive level. Knowledge of biology is also imperative to any biomedical visualisation.
Communicating Complex Scientific Topics
SCIENCE VISUALISATION FROM SPECIALISED CINEMATOGRAPHY TO VFX AND CGI
CONCEPT AND PREVISUALISATION
Research and communication of the project development
COMPUTATIONAL BIOLOGY
Many techniques from computation biology are useful and sometimes irreplaceable for cinematic animations.
ASSET DEVELOPMENT
Every element is developed specifically for the end visuals. Procedural workflows enable flexibility and generating huge amounts of variations.
PHYSICS-BASED ANIMATION
Most motion is designed through heavy computation to create the natural feel of weight and dynamics
RENDER AND DATA VISUALISATION
The final video or image is made and delivered based on the budget and what the images must do for the story.
Please talk to us to discuss your project and get clarity on potential solutions.
REVEALING NATURE BEYOND TRADITIONAL CINEMATOGRAPHY
Nature is hiding behind the limits of optics, visible spectrum of light and camera design. Computation can reveal and extract the unexpected side of the natural world.

The example here and on the showreel demonstrates focus stacking, machine-learning-powered resolution increase, and in addition multi-channel fluorescence colour detail extraction.

While these types of imaging sound complex in their execution, such shots can be easily planned. The easiest way to put the process within the context of a traditional production is to treat any image processing as VFX.
SHOWREEL
About
Daniel Stoupin
Daniel is a biologist, science communicator, Emmy-award-winning natural history producer and a CG/VFX producer.

He was part of the crew in a multitude of productions such as Blue Planet 2, Chasing Coral, Tiny World, Prehistoric Planet; as well as co-producer and studio cinematographer in the Netflix film 'Puff: Wonders of the Reef.'

Throughout his career, Daniel's main focus has been on macro cinematography of marine subjects, complex motion-controlled time lapses, scientific live imaging and microscopy, as well as computational imaging that earned him recognition for a short time lapse clip 'Slow Life,' together with several Emmy nominations. His research career touched the topics of astrobiology, reef conservation, the origin of multicellularity, as well as cell biology of marine sponges.

Radiolaria Visuals has been established to unite diverse disciplines and bring the best technological capabilities into filmmaking and science communication.